She motions to the implant in her arm that stops the kind of things “men don’t find desirable,” like her voice dropping or balls growing bigger. Jules also notes that she’s thinking of going off her hormones. She’s spent her life “trying to conquer femininity,” but she worries instead the opposite has happened: Femininity has conquered her. How the fuck did I spend my entire life building this,” Jules says. “I think I’ve framed my entire womanhood around men, when in reality I’m no longer interested in men What men want is so boring and simple and not creative. Nichols is the most revealing, detailing Jules’s relationship to femininity, being trans, and her own body. The first movement of Jules’s conversation with Dr. “Why did you run away?” The episode then launches into what can best be described as a pretty visual recap of Jules’s life, homing in on her relationship with Rue especially, all seen in the reflection on her eye as the colors shift corresponding to the memory at hand. It opens with Jules evoking wide-eyed terror while being asked, “Where do you want to start?” With only an empty answer in response, the therapist changes gears. Which isn’t to say there aren’t any worthwhile, intriguing threads within the episode. Mandy Nichols (Lauren Weedman), and while it’s only their first session, it runs the gamut through a host of topics, displaying a lack of focus that makes the episode land with less impact than it should. The narrative is anchored by Jules’s therapy session with Dr. To make matters more confusing, the episode moves around wildly in time in order to understand Jules’s perspective on events from the first season. The episode moves between fantasy and reality in ways that muddle the emotional points Levinson and his collaborators seek to make, rather than being a revelatory window into a character that sometimes felt like a cipher. “Fuck Anyone Who’s Not A Sea Blob” takes a markedly different approach, aligning it more with the creative highs and lows that characterized Euphoria’s first season. This uncharacteristic shift allowed Euphoria to slow down, and allowed us to take in the shifts in its characters. Focusing on Rue (Zendaya) merely having an emotionally expansive conversation with her sponsor, Ali (Colman Domingo), in a diner around Christmas, the episode was buoyed by its own simplicity and the sincerity of Domingo’s performance. The first of the HBO series’s between-seasons holiday specials, which came out in early December, was a much-needed departure from the show’s typical approach. In the second Euphoria special, this one centering on Jules - played by Hunter Schafer, who also co-wrote the story with director and creator Sam Levinson - the show unfortunately returns to its visually and narratively ostentatious roots.
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